Philosophical Reflections in Dhoodaan’s Poetry: Timeless Wisdom for Contemporary Life.

Introduction:

When you first read Dhoodaan’s poem “Likaaco,” you might find the language tough to get through. His words aren’t immediately clear and need some real thought. But, if you use a Somali dictionary and spend time digging into the vocabulary, you’ll see that Dhoodaan was much more than just a poet. His poetry is packed with deep philosophical wisdom, showing a rare and impressive level of intellect.

Dhoodaan’s work goes beyond regular poetry; it blends literary art with philosophical thought. To truly understand his poems, you need a solid grasp of both language and philosophy. Nowadays, it’s mostly literature experts, philosophers, and seasoned poets who can unpack the layers of meaning in his verses.

Dhoodaan lived in a society that sometimes struggled to grasp his advanced insights and philosophical ideas. His thoughts were ahead of his time, making his work a goldmine of intellectual and cultural value. Surprisingly, it was timely then, and it’s still timely now. Which proves his thought process and his higher intellect and wisdom.

In this article, I’ll dive into some verses from “Likaaco” to show how Dhoodaan’s poetry is deeply connected with philosophical ideas. By looking at these links, we can better appreciate the incredible depth of his work and the rich philosophical tradition in Somali poetry. Plus, we’ll see that even the most profound thoughts can sometimes benefit from a little humor and plain language.

Human Desire and Divine Will:

The poem begins by reflecting on the interplay between human desires and divine will: “Aadmiga hawaa lagu larbee, waxa u laacaaya / Kolba libinta qaar Eebahay, waa u liilgaline” (Desires motivate people, but only some receive success from God). This reflects the long-standing philosophical debate over free will and determinism. Human ambitions motivate action, yet the poet suggests that divine intervention is required for ultimate success. This concept is consistent with Stoic philosophy, which teaches acceptance of events beyond one’s control as part of the natural order.

The Stoics, such as Epictetus and Marcus Aurelius, advocated focusing on our actions and attitudes, emphasizing the importance of internal virtue and self-control. They held that while we can work hard and strive for our objectives, fate, or the divine will, frequently determines the results. This acceptance of what we cannot control leads to a sense of inner peace and resilience as we align our will with the natural order of the universe.

In the context of the poem, Dhoodaan acknowledges the human drive to achieve and succeed but tempers it with the understanding that not all efforts will result in success. This is so because, in the poet’s opinion, a higher power determines success to some extent. This interplay between human effort and divine will echoes the Stoic emphasis on accepting the limits of our control while striving to act virtuously within those limits.

Learning Through Suffering:

In the lines, “Qofna lurkiyo ciilkaa bartoo, luun afkaw mariye / Ragse laqan fariiduu noqdaa, amase waa liide,” some people learn through suffering and bitterness, speaking of it from experience. However, others become wise through trials, or they fail. The poet addresses the transformative power of suffering. This theme is central to the philosophies of Friedrich Nietzsche and the existentialists.

Nietzsche famously argued that what does not kill us makes us stronger, emphasizing that personal growth often comes through enduring and overcoming hardships. He believed that suffering is an integral part of life that can lead to greater strength, wisdom, and resilience. Nietzsche’s philosophy encourages embracing challenges as opportunities for self-improvement and development.

Similarly, existentialists like Jean-Paul Sartre and Albert Camus explored how individuals find meaning and authenticity in life by confronting and embracing their existential challenges and suffering. Sartre posited that humans are condemned to be free, meaning they must navigate the inherent difficulties of existence without a predefined purpose, creating meaning through their choices and actions. Camus, on the other hand, introduced the idea of the absurd, the conflict between humans’ search for meaning and the indifferent universe. He suggested that embracing this absurdity without surrendering to nihilism leads to a more profound appreciation of life.

The poet’s reflection on learning through suffering aligns with these philosophical views. It acknowledges that suffering is a fundamental aspect of the human experience, capable of leading to significant personal growth and wisdom. However, it also recognizes the dual nature of suffering, where some individuals emerge stronger and wiser, while others may falter and fail.

By addressing the dual outcomes of suffering—wisdom or failure—the poet captures the existential reality that life’s challenges can have varying impacts on individuals. This nuanced view underscores the importance of resilience, perspective, and the willingness to learn from hardship.

Personal Balance:

The poet’s assertion, “Ana labada cayn kuma jiree, laan badhaan ahaye” (I do not belong to either type; I am a moderate branch), highlights the importance of balance and moderation. This notion closely aligns with Aristotle’s concept of the Golden Mean, which advocates for moderation and balance in all aspects of life as the path to virtue and happiness.

Aristotle believed that virtues lie at the mean between two extremes of excess and deficiency. For instance, courage is the difference between recklessness and cowardice, and generosity is the difference between wastefulness and stinginess. Living a balanced life, according to Aristotle, leads to eudaimonia, or human flourishing. Eudaimonia is achieved through the practice of virtuous behavior and the maintenance of harmony in one’s actions and emotions.

The poet’s self-description as a “moderate branch” reflects this philosophical ideal. By positioning himself as neither extreme nor extreme, he emphasizes the value of moderation and balance. This balanced approach to life’s ups and downs is portrayed as key to achieving well-being and stability. The poet suggests that moderation allows for a more sustainable and fulfilling existence, where one can navigate challenges and successes without being overwhelmed by either.

Physical Strength and Weakness:

The verses, “Nimaan luggi jabnayn baan ahiyo, xoogga lawyadu e / Hayeeshee laxaad kuma socdee, laangadhaan ahaye” (I am someone whose legs are not broken and whose tendons are strong, yet I do not walk with full strength; I limp), illustrate the duality of human physical existence. This imagery speaks to the broader human condition of having both strengths and vulnerabilities.

Philosophers like Søren Kierkegaard and existentialists emphasized the acceptance of one’s limitations as a pathway to authentic living. Kierkegaard, often considered the father of existentialism, explored the notion of embracing one’s inherent flaws and limitations as essential to achieving true self-understanding and authenticity. He believed that recognizing and confronting our weaknesses leads to a deeper and more meaningful existence.

Similarly, existentialist philosophers such as Jean-Paul Sartre and Albert Camus argued that acknowledging the inherent limitations and absurdities of life is crucial for living authentically. They posited that individuals must confront their vulnerabilities and the limitations imposed by their physical and existential conditions to find genuine meaning and purpose.

The poet’s acknowledgment of his physical condition—strong yet limping—symbolizes the human experience of grappling with both capabilities and limitations. By accepting Due to our awareness of our intellectual limitations, this Socratic method of inquiry encourages a never-ending quest for knowledge. The admission of ignorance is the first step towards acquiring true knowledge. He believed that by questioning everything and recognizing our cognitive limitations, we open ourselves up to genuine understanding and wisdom. Due to our awareness of our intellectual limitations, this Socratic method of inquiry encourages a never-ending quest for knowledge.

The poet’s acknowledgment of his intellectual limitations, despite having a healthy mind and heart, aligns with this philosophical tradition. It underscores the importance of humility in the pursuit of knowledge. By admitting that we do not know everything, we create space for learning and personal development. This acceptance of our cognitive limitations is a fundamental aspect of many philosophical traditions that value the pursuit of wisdom.

Moreover, this humility fosters a mindset of lifelong learning. It reminds us that intellectual growth is a continuous process that involves questioning our assumptions and being open to new ideas and perspectives. This approach not only enhances our understanding but also cultivates a deeper sense of empathy and connection with others.

Societal Critique and Responsibility:

While the poem primarily focuses on personal reflection, its broader implications critique societal issues like corruption and exploitation, as hinted at in the poet’s experiences and observations. This critique resonates with Karl Marx’s analysis of societal power structures and Michel Foucault’s exploration of how these structures shape knowledge and behavior.

Karl Marx’s focus on the inequities and alienation within capitalist societies parallels the poet’s concerns about the misuse of resources and corruption. Marx argued that capitalist societies inherently create divisions between the wealthy and the poor, leading to the exploitation and alienation of the working class. The poet’s observations reflect a similar dissatisfaction with how societal resources are mismanaged and the resulting impact on individuals and communities. 

Michel Foucault’s examination of power dynamics offers a lens through which to understand the systemic issues highlighted in the poem. Foucault explored how power is exercised within society, not just through overt control but also through subtle means that shape knowledge, behavior, and societal norms. His work emphasizes the pervasive nature of power and its influence on every aspect of life, from institutions to individual interactions.

The poet’s critique suggests a call for greater awareness and action against social injustices. By highlighting these issues, the poem encourages readers to reflect on their roles within societal structures and to recognize the importance of addressing corruption and exploitation. This call to action aligns with both Marx’s and Foucault’s advocacy for challenging existing power structures and striving for a more equitable society.

Application to Contemporary Life:

The insights from the poem are highly applicable to contemporary life. Acceptance of limitations can lead to a more fulfilling and less stressful existence, promoting mental health and well-being. Recognizing and accepting our limitations allows us to focus on what we can control and improve, reducing unnecessary stress and fostering a sense of peace and contentment. This acceptance is crucial in a world that often pressures individuals to achieve unrealistic standards.

Embracing adversity as a source of growth encourages resilience, an essential quality for navigating the challenges of the modern world. Resilience helps us adapt to change, recover from setbacks, and continue moving forward despite difficulties. By viewing challenges as opportunities for personal development, we can cultivate a mindset that enhances our ability to cope with life’s inevitable hardships.

Striking for balance in all aspects of life helps prevent burnout and fosters sustainable success. Achieving a balance between work, personal life, and leisure is key to maintaining long-term productivity and happiness. The poem’s advocacy for moderation aligns with contemporary understandings of work-life balance, emphasizing the importance of maintaining harmony to ensure overall well-being.

Conclusion: The Philosophical Synthesis

In conclusion, the poem serves as a rich tapestry of philosophical reflections, weaving together themes of duality, ethics, resilience, and societal critique. It exemplifies how poetry can distill complex philosophical ideas into accessible and emotive narratives, capturing the essence of the human experience. By drawing on diverse philosophical traditions, the poet offers timeless wisdom that resonates with readers across cultures and generations.

The poem challenges readers to reflect on their own lives, embrace the inherent duality of human existence, and acknowledge both their strengths and weaknesses. It encourages ethical living and calls for resilience in the face of adversity, reminding us that growth often arises from overcoming challenges. Moreover, the poem serves as a poignant critique of societal issues, urging readers to actively engage in creating a better world.

Through this synthesis of thought and emotion, the poet provides profound insights that continue to inspire and guide. By exploring the complexities of human nature and society, the poem prompts introspection and encourages readers to strive for personal growth and contribute positively to their communities. Ultimately, the poem serves as a timeless reminder of the enduring relevance of philosophy in navigating life’s complexities and striving for a more just and fulfilling existence.

Source:

Asher Horowitz | Department of Political Science | Faculty of Liberal Arts and Professional Studies | York University. (n.d.). https://www.yorku.ca/horowitz/courses/lectures/35_marx_alienation.html

Aristotle’s Doctrine of the Mean. (n.d.). https://www.plosin.com/work/AristotleMean.html

Existentialism (Stanford Encyclopedia of Philosophy). (2023, January 6). https://plato.stanford.edu/entries/existentialism/

Marcus Aurelius’ philosophy: Self-Control as a Way to Succeed in Life. (2024, April 30). Headway Media. https://makeheadway.com/blog/marcus-aurelius-philosophy/

Kitazawa, E. (2023, February 23). Hardship Makes You Stronger Says Nietzsche: Here’s Why. Shortform Books. https://www.shortform.com/blog/hardship-makes-you-stronger/

Søren Kierkegaard (Stanford Encyclopedia of Philosophy). (2023, May 22). https://plato.stanford.edu/entries/kierkegaard/

Understanding power for social change, powercube.net, IDS at Sussex University. (2010, March 8). Foucault: power is everywhere | Understanding power for social change | powercube.net | IDS at Sussex University. Understanding Power for Social Change | powercube.net | IDS at Sussex University | Understanding Power for Social Change. https://www.powercube.net/other-forms-of-power/foucault-power-is-everywhere/

Written by Mohamed Eid

Aabo

Ab iyo isirkaygiyoow

Albaabkii dunida ee

Ifkaba aan kasoo galoow

Nudihii la iga soo unkee

Asluubta isoo baree

Alifka iisoo qabtoow

Itaalkiyo xoogii aan

Intaa ku istaagayee

I daadihinaayayoow

akaademigii naftee

aqoon iyo waayo arag

naftayda ka oon baxshoow

abbaar aan tiigsadiyo

rajada aan aawilaba

ilayskii daarayoow

abwaankaygii dhabtee

akhlaaqda isoo baree

afkana iga soo saxoow

Walow lagu oofsadoo

Anoo yar xaqaagu yimid

Iftiin baad ii tohoo

Waxaan intifaacsadaa

Aqoontaad ii dhigtoo

Ayaan qudha maan ambane

Illaah janadiisa iyo

Udgoone (SCW) agtiisa iyo

Kugee ilo wada biyo ah

Fardowsa Amaan ku joog

Mohamed Eid

Hooyo

Koonkaba anigoona iman
Ayaan ku kadeedayoo
Jidhkaaga intaan ku koray
Dhibkeeda ma koobi karo

Kulaykii foosha ee
Dartay xumad kuu kartiyo
Sidaan uurka kuugu dhibay
Qalbiga kama saari karo

Sidaad ii kaabtayeed
Habeenkoo kala badh tagay
Hurdada iigaga kacdee
Kalgacal iigu soo habtaan
Hooyooy kol walbaba xusaa

Sidaad ii kor joogtayee
Kolay gaajana ku tahay
Kashayda u buuxisee
Koolkaan dhargo een gam’ona
Kurbada u ilowday baan
Hooyooy kol walbaba xusaa

Waloow aan kaam dhib badan
Qoxooti kadeed ah iyo
Ku koray xarumaha dayacan
Adaan kolna baahi iyo
Dhar aan korka saarto oon
Qayrkay kaga sara mariyo
Ii waayin waxaan kohdee
Aduunka kadeed ha mudan

Kacaanka markaan ahaa
Ilaa aan kaalin galay
Adaa kalahaada hore

Dartay dhaxan ugu kacoo

Kaaryoone alaab ah iyo

Yaanyiyo kibis iibiyoo

Kaalmiyo garab ii noqdee
Kulaylada jahanamiyo
Rabigu naar kaa xoree


Koriinkaygoo qudhaad
Kul iyo diihaal martoo
Hadaan kumanaan hantiya
Korkaaga aan dhoobo oon
Kaba dahab kaaga dhigo

Kol qudha oon kaa hinqaday
Xaqeeda ma kaafiyee
Kariim janadii kugee

Hooyooy koolkoolontii
Dadaadkiyo kaabidii
Markaan kufo dhiirintii
Daryeelkiyo kaafintii
Kolaba ma iloobeyee
Karaahiyo ciil ha mudan

Mohamed Eid

Dawaaf

Caruurnimo dareenkii

Yartii dariska iga galay

Dugsigiyo quraankii

Yartaan uga dibjiray een

Sida hoos u daba galay

Anigoon danqaab iyo

Dala’siiyahaa qabin

Oo duruusta barashiyo

Imtixaan diyaarsaday

Xusuus igu dhex duugnayd

Midabkeedii dahabkiyo

Saw iguma soo dagin

Dabarkii ilkaha iyo

Dabacsani u socodkii

Damaq li’i u hadalkii

Daganaanta lagu ladhay

Dib umaana daalacan

Anigiyo darmaantii

Dookhayga noqotoo

Durdur iyo xareediyo

Dhulkoo doogu uu simay

Damaashaadna lagu jiro

Geed damala hoostii

Sheeko daadihinaynoo

Taariikho duugiyo

Wakhtigii na kala diray

Damaqii uu beeriyo

Duruuftii adkaydee

Midba dunida soo maray

Diifteedi reebnoo

Ka dawownay gocashoo

Caashaqu daruurtiyo

Dayaxaba na dhaafshoo

Samadaa dusheena ah

Ku dakaynay maalmoo

Xidigaha dawaafnoo

Dunidani idaylkeed

Dusha kaga wareegnoo

Meel dira diraaliyo

Xaasid aanu dagi karin

Haasaawe dooriyo

Kaftan maanu daadihin

Anoo dadab galkaygiyo

Arooskii diyaarshoo

Midii aan ku daabacay

Dubaaqa iyo jiidhkeen

Laabta daarta uga dhigay

Ee aan dumarba kala baxay

Halkaan dagi lahayn iyo

U diyaarshay hoygii

Rag doorana warkaygii

Dagdag aan u siiyoo

Loowada diyaar yahay

In la ii durbaan tumo

Waagu saw ma daalicin

Hareeraha markaan dayay

Darmo qudha anoo kali

Baaxaa dagaayoo

Barkimada dugsanayuun

Dareen li’i masoo kicin!

Waxay laabtu doontiyo

Riyo ila dawaaftaa

Jacayl uu dabkiisiyo

Nuurkiisi damayoo

Aan duugay waa hore

Doogtiisa kicisee

Marna maana doonayn

Nabaryohow damqanayaa

Inaan qolofta diiree

Naftaa igu dirqiyaysoo

Calafkeedan daahaa

Daldalooladeediyo

Caashaqii dabayshaday

Hadba dib u xusaysee

Qalbiyohow dareen li’i

Danahaaga bogo oo

Dayacii kusoo maray

Diiwaanka galiyoo

Taariikhda daabacan

Cashir aan ku diirsado

Oo dakharadaadii

Dib u saxa ka qaadoo

Durba nolosha guud iyo

U dhis dayrka guulaha.

Mohamed Eid

Nimcooyinka eebbe inagu manaYstay

Ku baraaruga Gallada Illaahay ee noloshaada ku jira.

In qofku tirsado nimcooyinka uu haysto oo ku baraarugsanaado waxay wax badan ka badashaa hab fikirka qofka iyo qaabka uu u wajahayo dhibaatooyinka iyo duruufaha nolosha ee soo wajaha. Aadmigana waxa ku badan ku baraarugsanaanta dhibaatada iyo waxa inaga maqan raadintiisa, ee muhiimad badan ma siino waxa aynu haysano ku xamdigooda. Illahay quraankiisa wuxuu ku leeyahay isaga oo inta tusaya muhiima ay leedahay in aan ka mahadnaqno nimcooyinka aan haysano: ﴾لئن شكرتم لأزيدنكم ولئن كفرتم إن عذابي لشديد ﴿”Haddaad ka mahad celisaan (ku shukridaan) nimcooyinka aan idin siiyay, waan idiin badin (siyaadin) haddaad se ku kufridaan oo ka abaal dhacdaan, cadaabkaygu waa mid daran.” Ibrahim 7 tafsiirka Sheekh Maxamuud (AUN) Dhanka suugaanta Soomaaliga haddaynu uleexano, Hadraawi (AUN) waa kii tuducyo ka mid ah maansadiisa ‘Dabahuwan’ kusoo qaatay isla arintan isaga oo leh: 

“Addoonku Rabbow ma dayo

deeqdaada intuu hantiyo

duntii maqan buu tebaa

wax uu degdeg kaaga filay

haddaanay ku soo dul quban

cadhuu la dakaamayaa

dibnuhu baryaday karaan

daryeel kama mahad ceshaan

jiilaal la darbaysanyahay

diihaal iyo gaajo kulul

haddii beri roob ka da’o

qof doogey markaas illow

siduu u ducayn yiqiin

xusuusba ka sii durduri

Nin duunyadu mool ku tahay

dadkiisuna maansha yahay

ayaa misna kuugu duda

waxaanu u daafad hayn

qofkaad shar u diiddan tahay

u doortay si kahyr ku jiro

ayaa misna kuugu duda

waxaad uga daacad tahay”       

Haddaan wax yar is dultaagno erayadan cajiibka ah, nafteenana aynu muraayada hor gayno, waxaa inoo soo baxaysa in inteena badani ay ku sifoobayso tilmaamaha abwaanku sheegay ee sida wax loo baryo uun yaqaana, balse mahad celinta ka madhan. Marwalba oo duruuf iyo baahi ina qabsato waynu naqaanaa sida gacmaha kor loogu taago, marka ducadeena la aqbalo ee aynu muraadkeena helno, inyar mooyee inteena badani waaban iska illownaa inaynu baahi aragnay oo la inoo gargaaray. 

Haddaan usoo noqdo faa’iidooyinka ku jira mahadnaqa iyo qaabka ay wax uga badalaan, waxaa jira cilmi baadhisyo badan oo ka hadlaya faa’iidooyinka ay leedahay in qofku tirsado nimcooyinkiisa oo ka mahad naqo. Haddaynu hal iyo laba kasoo qaadano daraasadahaas iyo natiijooyinka kasoo baxay, Dr. Robbert Emmons oo ah aqoonyahanada kasmo-nafeedka ee wax ka dhiga Jaamacada Kaalifoorniya ee Davis ayaa wuxuu sameeyay daraasad ay ku eegayaan sida mahad naqa iyo ka war haynta nimcooyinka aad haysato ay farxad kuu siin karaan, ayaa wuxuu ku ogaaday in ay is badal badan oo dhanka wangaasan ah kala kulmeen bukaano la daalaa dhacayay xanuunada dhimirka. Daraasadan oo uu ku eegay saddex kooxood ayaa waxa lagu ogaaday in qaybtii tirisay nimcooyinkoodu ay ka farxad badnaayeen qaybihii kale ee dhibaatooyinka hayta tirsaday. Marka qofku cabasho iyo catow uu maalinkiisa ku qaato, ama cadho iyo diiqad wakhtigiisa ku lumiyo, wuxuu dayacaa fursad uu nimcooyinka mawle ugu deeqay uga faa’idaysto. 

Caqabadaha ka dhasha in uu qofku dhibaatooyinka haysta xoogga saaro waxaa ka mid ah, daal maskexeed hoos u dhiga hawl maalmeedkiisa sida in uu shaqooyinkii maalinlaha ahaa qaban kari waayo. Welwel badan oo hadheeya qalbigiisa si joogto ah maadaama wax lagu farxo oo noloshiisa ahi ayna u muuqan. Iyo in uu marwalba wakhtiga ku lumiyo waxa qayrkii haystaan ee isaga ka maqan, taas oo keenta in qofka xasadkiisu bato, dadka kaleba guulaha iyo horumarka ay gaadhaan uu ka xumaado ama u quudhi waayo. Waxa afkiisa ku bata erayada quusta iyo yasmada ah ee uu isku maaweeliyo marwalba oo cid uu yaqaaano ay talaabo horay u qaado. 

Faa’iidooyinka mahadnaqa iyo nimco tirsashadu aad bay u bdanyihiin, haddaynuse hal iyo laba ka soo qaadano, 1. Waxay adkaysaa qanaacada nafta. Qofku marka oo xooga saaro waxa gacanta ugu jira ama hareera yaala, waxa dhadhan u sameeya noloshiisa taas oo yareysa welwelka gudeed ee ka dhasha damaca wax aanu gaadhi karin. 2. Waxaa badata deeqsinimada qofka. Qofku marka uu ogyahay waxa uu haysto kana mahad celiyo wixii la siiyo, wuxuu ku dedaalaa in uu hoos u fiiriyo cidda aan haysan intiisa in le’eg ee uu caawin karo. 3. In qofku dantiisa iyo hawlihiisa gaarka ah ku mashquulo. Taas oo yaraynaysa in uu cid kale wax ay haysato damco ama xaasido. 

Waxaa jira saddex qaab oo qofku kor ugu qaadi karo ka warqabka nimcooyinka uu haysto iyo ka mahadnaqooda. 1. Samayso buug maalinle ah oo aad ku qorato nimcooyinka aad haysato ee illaahay ku siiyay sida caafimaadka, cibaadada iyo camalka wanagasan ee aad samaysaba. 2. La saaxiib dadka kugu baraarujiya hibooyinka aad leedahay in ka badan intay kuu sheegaan dhaliilahaaga. Saaxiibku waa muhiim, waxaana haboon in aad xulato saaxiib ku taageera e aan lugaha kugu dhagin. 3. Wax ka badal hab fikirkaaga iyo qaabka aad naftaada ula sheekaysato. Cadowgaaga ugu wayni waa naftaada, haka ogolaan inay ku han jabiso ama ku tusto inta kaa maqan. Marwalba adigu tus inta aad haysato ee aad hawlyaraan ku heshay. 

Dareen

Dareen i lulaa i sudhan

Qalbiga dakharbaa ku yaal

Kal daacad ah oon jeclaa

Duruuftuna riixdayoo

Intii dabar lagu tigtigay

La iga dayraan tabaa

Dunteedi wanaagsanayd

Dabuubteedii wacnayd

Dubkiyo jiidhkaa taboo

Hadaan doc kaleeto iyo

Asaageed aan dersana

Rooxaan didisaa jirtoo

Dambuun baan korodhsadaa

Darteed boqolaal u jaray

Jar iyo dawyo uga dhacay

Dulmiyo aafaad u galay

Dad aan waxba ii dhimayn

Xanuunkii kula dul dhacay

Doog iyo nabaraba ku dhigay

La’aanteed waan darsaday

Daraadeed waan han jabay

Jacaylkaan daawan jiray

Hadeerto la iiba diid

Waxbaa isku kaaya diray

Diirkii naxayaa i maqan

Daruur dhul abaarsadiyo

Badwayn ka dul hoortayoo

Dadkana nacfi aan u tarin

Sideeda u doorsamoo

Cidlada ku dareen burqaday

Dushayda iftiin sudhnaa

Dahriga nuur ka unkanaa

Dadkuna ila daawan jiray

Intay waayuhu dansheen

Ayay farxadii dileen

Dabeyl mugdiyay sudheen

Jacaylkaan dool u galay

Doolaalada aan u maray

Nasiibka dilaaciyoow

Adaa dhalay diiqadee

Hadmaad diihaalka iyo

Dayowgaba iiga tudhi?!

Mohamed Eid